| |
John Cage
born 5 September 1912, Los Angeles, CA
died 12 August 1992, New York, NY (stroke)
the films | 2003 | The Balloon | 2001 |
James Joyce, Marcel Duchamp, Erik Satie: An Alphabet
| Caged Bird | 2000 | Merce
Cunningham: A Lifetime of Dance | 1998 | Modulations
| Sonic Acts: From Stockhausen to Squarepusher
| 1995 | Nopera | From Zero
| 1994 | HPSCHD | 1993 | Die
Rache der Toten Indianer | The Misfits: 30 Years
of Fluxus | 1992 | Opus 20 Modern Masterworks: John
Cage | John Cage: 22708 Types: Die Utopie im Niemandsland
| One 11 and 103 | Beach
Birds for Camera | Film über Nichts | The
Chaotic Universe | Art Meets Science and Spirituality
in a Changing Economy | 1991 | Peefeeyatko
| Cage/Cunningham | 1990 | John
Cage New River Watercolors | John Cage: Man
and Myth | I have nothing to say and I am
saying it | Ryoanji | 1989 | Mr.
Hoover and I | Changing Steps | Jasper
Johns: Ideas in Paint | 1988 | ChessFilmNoise
| Études Solares | 1987 | The
Collaborators: Cage, Cunningham, Rauschenberg | Wagner's
Ring | Stoperas I & II | Time
is Music | 1986 | Points in space | An
hour with John Cage | 1985 | John Cage Performs James
Joyce | John Cage: Mushrooms et Variationes
| For the Third Time | 1983 | Four
American Composers: John Cage | Sometimes
It Works, Sometimes It Doesn't | 1982 | Poetry in
Motion | Merce Cunningham & Company
| A Tribute to Nam June Paik: Video Portrait
of a Man Who Won't Sit Still | 1980 | 30 Second Video Portrait: John
Cage | 1978 | Video Portrait: John Cage "Listening" | Video
Portrait: John Cage "Silence" | 36
mesostics for: re and re Duchamp | Merce by
Merce by Paik | 1977 | 49 Waltzes for the Five
Boroughs | Event for Television | C'est
la vie Rrose | 1975 | Strange music of Nam
June Paik | Lecture on the weather | 1973 |
A Tribute to John Cage | John
Cage Mushroom Hunting in Stony Point | 26'1.1499"
For A String Player | Global Groove | 1972 |
Marcel Duchamp and John Cage | 1971 | Catch
44 | Sound?? Rahsaan Roland Kirk and John Cage
| 1969 | Aspects of a New Consciousness, Dialogue III
| 1968 | Poemfield No. 7 (Computer Art Series No.
7) | Silent Sonata | 1966 | Variations
V | John Cage | 1960 | I've
Got a Secret | 1955 | In Between | 1950 |
Works of Calder | 1948 | Horror
Dream | 1947 | Dreams That Money Can Buy | 1944
| At Land | 1937 | An Optical
Poem
filmography
2003
• The Balloon | 7 min, animated | directed
by Sung Yeon Son | features Sonatas and Interludes
2001
• James Joyce, Marcel Duchamp, Erik Satie: An
Alphabet | 72 min, videotape | conceived and directed by Laura Kuhn
| music by Mikel Rouse (composed from Cage's manuscript notes) | features
Merce Cunningham as Erik Satie and John Kelly as the Narrator | this is
a video of a single performance at UCB's Zellerbach Auditorium of a theatrical
realization of Cage's radio play
• Caged
Bird | color, digital video, 1.85:1 | directed by Justin Cesarin |
scenario by Justin Cesarin | cinematography by Nick Palmer | edited by
Harv Daniels | choreography by Heather Capizzi | produced by Monica Raquel
Meza | produced by Caesar Pictures and RQL Design | features performances
of 4'33" and 0'00"
2000
• Merce
Cunningham: A Lifetime of Dance | directed by Charles Atlas | featuring
Cage and Merce Cunningham
1998
• Modulations | color, sound | directed
by Iara Lee | features footage of Cage taken from Dick Fontaine's "Sound??
Rahsaan Roland Kirk and John Cage"
• Sonic Acts: From Stockhausen to Squarepusher
| 60 min, videotape, color | Dutch, English, French, German, Japanese
| directed by Jacqueline Oskamp and Frank Scheffer | features archival
interview footage of Cage | also features interviews with DJ Spooky, Karlheinz
Stockhausen, and Michel Waisvisz
1995
• Nopera | 5 min | directed by Frank Scheffer
| features John Cage
• From Zero | 85 min, 16mm, color | Dutch
| written and directed by Andrew Culver and Frank Scheffer | cinematography
by Joost van Gelder | features a performance of Fourteen by the
Ives Ensemble
1994
• HPSCHD | 45 min | directed by Joel Chadabe
| documentary of an early 90s Dutch restaging of John Cage and Lejaren
Hiller's HPSCHD
1993
• Die Rache der Toten Indianer | 125 min,
color, sound | written and directed by Henning
Lohner | cinematography by Carlson Van Theodore | edited by Sven Fleck
| produced by Henning Lohner and Peter Lohner | features music composed
by Cage | other music by Henning Lohner | features Yves Bazillou, Michael
Berger, Farid Chahboub, Noam Chomsky, Merce Cunningham, Jacqeline Daubert,
René Delesalle, Kelly Ellsworth, William Forsythe, Corinne Fortin, Betty
Freeman, Frank O. Gehry, Murray Gell-Mann, Matt Groening, Ben Habdallah,
Rutger Hauer,
Dennis Hopper, Alison Knowles, Raymond Kurzweil, Edward Lorenz, Benoit
Mandelbrot, Yehudi Menuhin, Mohamed Ben Methnic, Marvin Minsky, Heiner
Müller, M. Neraqueller, Jean Nouvel, Yoko Ono, Baramouh Parianen, Soopaya
Parianen, Tomaso Poggio, René Sancier, Richard Serra, Giorgio Strehler,
Claude Trouve, Iannis Xenakis, Frank Zappa, and John Zorn | available
through Electronic
Arts Intermix | also known as The Revenge of the Dead Indians
• The Misfits: 30 Years of Fluxus | 80 min,
videotape, color, sound | directed by Lars Movin | cinematography by Steen
Moller Rasmussen, Niels Plenge, and Torben Skjodt | edited by Torben Skjodt
| music by Tom Cora | features John Cage, Eric Andersen, Ay-O, Joseph
Beuys, Philip Corner, Henry Flynt, Ken Friedman, Geoffrey Hendricks, Jon
Hendricks, Dick Higgins, Alison Knowles, Jackson Mac Low, George Maciunas,
Jonas Mekas, Larry Miller, Charlotte Moorman, Yoko Ono, Nam June Paik,
Ben Patterson, Willem De Ridder, Ben Vautier, Emmett Williams, and La
Monte Young | produced by Lars Movin and Cinnamon Film for the National
Film Board of Denmark | distributed by Electronic
Arts Intermix
1992
• Opus 20 Modern Masterworks: John Cage |
color | directed by Klaus Lindemann | written by Michael Nupen | edited
by Steve Eveleigh | produced by Yehuda Fickler | distributed by RM Associates
| narrated by Kerry Shale | features Cage, Hermann Ktetzschmar, Ingo Metzmarcher,
and David Tudor | performances by the Ensemble Modern | Hermann Kretzschmar
and David Tudor perform Concerto for Prepared Piano and Chamber Orchestra
and Concerto for Piano and Orchestra
• John Cage: 22708 Types: Die Utopie im Niemandsland
| 45 min, videotape | written, directed, and produced by Henning Lohner
| cinematography by Michael Koltermann and Van Theodore Carlson | edited
by Inge Klos and Sven Fleck | music by John Cage | "a very personal picture
of John Cage" | features Five and John Cage performing 4'33"
on 8 January 1990, during the destruction of a Berlin Wall checkpoint
| also known as The Utopia in No-Man's-Land
• One 11 and 103 | 90 min, 35 min, b&w,
sound | written and directed by John Cage and Henning Lohner | music by
John Cage | cinematography by Van Theodore Carson | edited by Bernadine
Colish | produced by Henning Lohner | "One 11 is a film without subject.
There is light but no persons, no things, no ideas about repetition and
variation. It is meaningless activity which is nonetheless communicative,
like light itself, escaping our attention as communication because it
has no content to restrict its transforming and informing power. 103
is an orchestral work. It is divided into seventeen parts. The lengths
of the seventeen parts are the same for all the strings and the percussion.
The woodwinds and the brass follow another plan. The shots of the cameraman
still another. Following chance operations, the number of wind instruments
changes for each of the seventeen parts." | to be shown with or without
103 | [note: there supposedly exists a documentary by Henning
Lohner about the making of this film; might it be "Die Utopie im Niemandsland"?]
• Beach Birds for Camera | 28 min, 35
mm and videotape, color and b&w, sound | directed by Elliot Caplan | cinematography
by Mathew Williams
| music by John Cage (Four3) | choreography by Merce Cunningham
| costumes by Marsha Skinner | features Cage, Cunningham, and the Merce
Cunnngham Dance Company: Helen Barrow, Kimberly Bartosik, Michael Cole,
Emma Diamond, Victoria Finlayson, Frédéric Gafner, Alan Good, David Kulick,
Patricia Lent, Larissa McGoldrick, Randall Sanderson, Robert Swinston,
Carol Teitelbaum, Jenifer Weaver | co-produced by Timothy Nelson | produced
by the Merce Cunningham Dance Foundation | a performance of Beach Birds
"adapted for the screen using a variety of locations" | awards | notes
on the origin
• Film über Nichts | color | German | written
and directed by Michael Muschner | based on Cage's text score Lecture
on Nothing | German translation by Ernst Jandl | starring Dieter Schnebel
| produced by Michael Muschner | cinematography Reiner Jonas | edited
by Klaus Dörries | produced by TIGERFILM Produktionsgesellschaft mbH
• The Chaotic Universe | conceived by Louwrien
Wijers | directed and edited by Maxine Harris | produced by Sheldon Rochlin
and Louwrien Wijers | distributed by Asset Foundation (Amsterdam) and
Mystic Fire Video (New York)
• Art Meets Science and Spirituality in a Changing
Economy | conceived by Louwrien Wijers | directed and edited by Maxine
Harris | produced by Sheldon Rochlin and Louwrien Wijers | distributed
by Asset Foundation and Mystic Fire Video
1991
• Peefeeyatko | 60 min | directed and
written by Henning Lohner | cinematography by Carlson Van Theodore | edited
by Sven Fleck | original music by Frank Zappa | produced by Henning Lohner
and Frank Zappa | features John Cage, Pierre Boulez, Matt Groening, Karlheinz
Stockhausen, Ray Wallis, Iannis Xenakis, Diva Zappa, and Frank Zappa
• Cage/Cunningham: A Film | 95 min,
16mm, 1.37:1, b&w/color, sound | directed and edited by Elliot Caplan
| written by David Vaughan | cinematography by Elliot Caplan and Matthew
Williams | music by composed John Cage | choreography by Merce Cunningham
| features Cage, Bonnie Bird, Carolyn Brown, Remy Charlip, Merce Cunningham,
Edwin Denby, Doris Dennison, Viola Farber, Jasper Johns, Irwin Kremen,
Alvin Lucier, Guy Michel, Gordon Mumma, Rudolf Nureyev, Nam June Paik,
Marianne Preger-Simon, Robert Rauschenberg, M.C. Richards, Jean Rigg,
Frank Stella, Virgil Thomson, David Tudor, Christian Wolff, and LaMonte
Young | contains footage of a filmed version of Four Walls | produced
by the Cunningham Dance Foundation in association with La Sept | distributed
by the Cunningham Dance Foundation, Inc.
1990
• John Cage New River Watercolors | 14
min | directed by Ray Kass | documents Cage's work as a painter at the
Mountain Lake Workshop in Virginia
• John Cage: Man and Myth | videotape
| directed by Mitch Corber | features interviews with Cage | also features
interviews with David Antin, Glenn Branca, Ivor Darreg, Mary Feinsinger,
Peter Frank, Jonathan Glasier, Philip Glass, Allan Kaprow, Alison Knowles,
Richard Kostelanetz, Jackson MacLow, Charlie Morrow, Marjorie Perloff,
Joshua Pierce, Johnny Reinhard, Stuart Sherman, and Grete Sultan | features
music by John Cage and Stuart Sherman | distributed by Thin Air Video
• I have nothing to say and I am saying
it | 55 min, videotape, color, sound | directed by Allan Miller and
Vivian Perlis | edited by Mark Brownstone | music by John Cage | choreography
by Merce Cunningham | narrated by Patricia Denk Powers | features interviews
with Cage, Laurie Anderson, Leo Castelli, Merce Cunningham, Richard
Kostelanetz, Yoko Ono, Robert Rauschenberg, John Rockwell, and David
Tudor | features dance performances by Cunningham, Karole Armitage, Ellen
Cornfield, Morgan Grey, Meg Harper, Chris Komar, Julie Roess-Smith | David
Tudor performs 4'33" | features performances of Minutiae
and Chesspiece | features excerpts from Dreams
That Money Can Buy and 26'1.1499" For A String
Player | produced by Allan Miller and Vivian Perlis (RM Associates)
for the PBS
series American Masters | also known as John Cage
• Ryoanji | 20 min, 16mm, color | directed
by Lawrence F. Brose | music composed by John Cage and performed by the
Buffalo New Music Ensemble
1989
• Mr. Hoover and I | 90 min, 35mm, color and
b&w, sound | directed by Emile de Antonio and Vincent Hanlon | cinematography
by Matt Mindlin, William Rexer, and Morgan Wesson | edited by George Spyros
| starring John Cage, Emile de Antonio, and Nancy de Antonio | produced
by Emile de Antonio and Channel Four Films | distributed by Turin Films
• Changing Steps | 39 min, videotape,
color/b&w | directed by Elliot Caplan and Merce Cunningham | cinematography
by Mathew Williams
| edited by Elliot Caplan | choreography by Merce Cunningham | music by
John Cage (Cartridge Music, 1960) | designed by Elliot Caplan |
costumes by Mark Lancaster and Suzanne Gallo | narrated by Robert Redford
| features the Merce Cunningham Dance Company: Helen Barrow, Kimberly
Bartosik, Emma Diamond, Victoria Finlayson, Alan Good, Chris Komar, David
Kulick, Patricia Lent, Larissa McGoldrick, Dennis O'Connor, Kristy Santimyer,
Robert Swinston, Carol Teitelbaum, Robert Wood | produced by Timothy J.
Nelson | produced by the Cunningham Dance Foundation, Inc. (New York),
LaSEPT, Video West, and the Sundance Institute | distributed by the Cunningham
Dance Foundation, Inc.
• Jasper Johns: Ideas in Paint | 56 min,
videotape, color, sound | produced and directed by Rick Tejada-Flores
| music by Peter Barshay | features John Cage, Melvyn Bragg, Merce Cunningham,
Jasper Johns, Richard Serra, and Frank Stella | narrated by Polly Adams
| produced by WHYY, Inc. in association with WNET/New York | produced
by RM Associates for the PBS series American Masters | distributed by
RM Associates
1988
• ChessFilmNoise | 18 min | directed
by John Cage and Frank Scheffer | features music composed by John Cage
using the I Ching | documentary of chess match between Cage and
Stephen Lowy | produced by Frank Scheffer
• Études Solares | 24 min | directed by Frank
Scheffer | features John Cage's Études Boreales
1987
• The Collaborators: Cage, Cunningham,
Rauschenberg | 56 min, videotape, color | moderated by David Vaughan
| features John Cage, Merce Cunningham, and Robert Rauschenberg | part
one features excerpts from Travelogue, Nocturnes, Minutiae,
and Antic Meet | part two features a full performance of Coast
Zone | dancers: Karole Armitage, Karen Attix, Helen Barrow, Louise
Burns, Ellen Cornfield, Susan Emery, Morgan Ensminger, Karen Fink, Lise
Friedman, Alan Good, Neil Greenberg, Meg Harper, Catherine Kerr, Chris
Komar, Robert Kovich, Judy Lazaroff, Joseph Lennon, Charles Moulton, Susan
Quinn, Rob Remley, Julie Roess-Smith, and Robert Swinston | produced by
David Vaughan and the Cunningham Dance Foundation for KETC Public Television
(Saint Louis, MO) | also known as Coast Zone
• Wagner's Ring | 4 min | directed by Frank
Scheffer | conceived by John Cage
• Stoperas I & II | 3 min | directed by
Frank Scheffer | condenses Cage's operas Europeras I & II
• Time is Music | 30 min | directed by Frank
Scheffer
1986
• Points in space | 56 min, videotape, color,
sound | a dance composed for video | directed by Merce Cunningham and
Elliot Caplan | music by John Cage: Voiceless Essay (origin)
| choreographed by Merce Cunningham | dancers: Helen Barrow, Merce Cunningham,
Victoria Finlayson, Alan Good, Catherine Kerr, Chris Komar, David Kulick,
Patricia Lent, Karen Radford, Rob Remley, Kristy Santimyer, Kevin Schroder,
Robert Swinston, Megan Walker, Susan Quinn Young | sets by Bill Anastasi
| costumes by Dove Bradshaw | part one documents the composition of Points
in Space; part 2 features its performance | produced by Bob Lockyer,
the Cunningham Dance Foundation, and Kultur Films Inc. for BBC-TV
• An hour with John Cage | directed by Rick
Stafford | documentary of Cage composing and performing
1985
• John Cage Performs James Joyce | 15 min,
videotape, color, sound | in English & Japanese | directed by Takahiko
Iimura
• John Cage: Mushrooms et Variationes
| 75 min | Cage reads "Mushrooms et Variationes" at St. Georg Church at
the exhibition "Raum, Zeit, Stille," and is also interviewed.
???
• For the Third Time | videotape, color,
sound | made for public access TV | Cage speaks with Richard
Kostelanetz (who has laryngitis) about the techniques he used in "Writing
Through Finnegans Wake" (1977) and "Writing for the Second Time
Through Finnegans Wake" (1977)
1983
• Four American Composers: John Cage | 60
min, color | written and directed by Peter Greenaway | cinematography
by Curtis Clark | edited by John Wilson | musical advisor: Michael Nyman
| produced by Revel Guest and Trans Atlantic Films | features excerpts
from Branches, Double Music, Indeterminacy, Inlets,
Music for Marcel Duchamp, Roaratorio: An Irish Circus on
Finnegans Wake, and Song Books | one of a four part series of documentaries
on contemporary US musicians; other episodes focus on Robert Ashley, Philip
Glass, and Meredith Monk
• Sometimes It Works, Sometimes It Doesn't
| 63 min, color | directed by Chris Dercon and Stefaan Decostere | part
one features interviews with John Cage and Merce Cunningham, as well as:
excerpts from a Harvard Square performance of 4'33" by John Cage,
rehearsals of the Merce Cunningham Dance Company, and Cunningham's solo
videodance Blue Studio: Five Segments | part two features the filmdance
Channels/Inserts | dancers: Karole Armitage, Louise Burns, Ellen
Cornfield, Susan Emery, Lise Friedman, Alan Good, Neil Greenberg, Catherine
Kerr, Chris Komar, Judy Lazaroff, Joseph Lennon, Rob Remley, Robert Swinston,
and Megan Walker | produced by Belgian Radio & Television
1982
• Poetry in Motion | 91 min, 16mm, color |
directed by Ron Mann | cinematography by Robert Fresco | edited by Peter
Wintonick | features performances by Helen Adam, Miguel Alagarin, Amiri
Baraka, Ted Berrigan, Charles Bukowski, William S. Burroughs, John Cage,
Jim Carroll, Jayne Cortez, Robert Creeley, Christopher Dewdney, Allen
Ginsberg, John Giorno, Michael McClure, Ted Milton, Michael Ondaatje,
Ed Sanders, Gary Snyder, Tom Waits, and Anne Waldman | produced by Sphinx
Productions | distributed by International Telefilm Enterprises
• Merce Cunningham & Company |
45 min, color | English and French | directed by Benoit Jacquot | choreography
by Merce Cunningham | features interviews with Cunningham in which he
discusses his use of the I Ching and his collaborations with John
Cage | also features dance excerpts from Trails, Scramble,
Aeon, Quartet, Suite For Five, Roadrunners,
and Fractions | dancers: Louise Burns, Ellen Cornfield, Merce Cunningham,
Susan Emery, Lise Friedman, Alan Good, Neil Greenberg, Catherine Kerr,
Chris Komar, Judy Lazaroff, Joseph Lennon, Susan Quinn, Rob Remley, Robert
Swinston, and Megan Walker | produced by L'Institut National de L'Audiovisuel
(INA) in association with the Cunningham Dance Foundation
• A Tribute to Nam June Paik: Video Portrait
of a Man Who Won't Sit Still | 28 min, color, sound | directed by
Kit Fitzgerald and John Sanborn | edited by John Zieman | music by Peter
Gordon | includes the video artwork "Tribute To Paik" by Shalom Gorewitk
| featuring Nam June Paik, Charlotte Moorman, John Cage, Marcel Duchamp,
Howard Wise, and John Hanhardt | commentary by Russell Connor | available
through Electronic
Arts Intermix
1980
• 30 Second Video Portrait: John Cage
| directed by and copyright Joan Logue
1978
• Video Portrait John Cage "Listening"
| 15 min | directed by and copyright Joan Logue | Limited Edition
• Video Portrait: John Cage "Silence"
| 20 min | directed by and copyright Joan Logue | Limited Edition | available
through Electronic
Arts Intermix
• 36 mesostics for: re and re Duchamp |
directed by Steve Lawrence | Cage reads from his mesostics
• Merce by Merce by Paik | 30 min, color,
sound | directed by Nam June Paik, Merce Cunningham, Shigeko Kubota, and
Charles Atlas | music by John Cage, David Held, and Earl Howard | part
one (Blue Studio, 1976) features manipulated video footage of a
Cunningham dance performance | part two (Merce and Marcel) features
Russell Connor's 1964 interview with Marcel Duchamp as well as excerpts
from a performance of Merce Cunningham's Septet (Helsinki, 1964)
| produced at WNET/TV Lab
1977
• 49 Waltzes for the Five Boroughs | 120
min | directed by Roberta Friedman, Don Gillespie, and Gene Caprioglio
| camerawork by Carl Teitelbaum, Arlene Schloss and Louis D'Agostino |
supervised by Andrew Culver | a chance-determined film based on Cage's
text-score 49 Waltzes for the Five Boroughs, filmed in the locations
specified by that score | sponsored by Black Maria Inc., with funding
from Thomas Buckner and The Foundation for the Contemporary Performance
Arts
• Event for Television | 56 min, color, sound
| directed by Merrill Brockway | music by John Cage: Branches (For
Amplified Plant Music) | music by David Tudor: Rainforest (An
Electronic Ecology ) | choreography by Merce Cunningham: Antic
Meet, Scramble, Septet, Solo, Sounddance,
Minutiae, RainForest (performed in its entirety), and Video
Triangle, created for the program | dancers: Karole Armitage, Karen
Attix, Ellen Cornfield, Merce Cunningham, Morgan Ensminger, Meg Harper,
Catherine Kerr, Chris Komar, Robert Kovich, Charles Moulton, Julie Roess-Smith
| produced by Emile Ardolino for Public Television's Dance In America
series | origin
• C'est la vie Rrose | 84 min, 35mm, color,
sound | German | directed by Hans-Christof Stenzel | written by Jörg Fauser
and Hans-Christof Stenzel | cinematography by Lothar E. Stickelbrucks
| edited by Rosemarie Stenzel-Quast | original music by Mary Jane Collins,
Uwe Czybulka, and Janet Maillard | non-original music by Charles Yves
| Cage appears as a Schachspieler (chess player) | also starring Jean
Halbert, Kurt Kalb, Y Sa Lo, and Hannah Wilke | produced by Rosemarie
Stenzel-Quast | produced by Distelfilm and Zweites Deutsches Fernsehen
(ZDF) | also known as A Rose: That's What Life Is All About
1975
• Strange music of Nam June Paik | 27
min, videotape, color, sound | directed by John Musilli | features music
composed and performed by John Cage | commentary by Russell Connor | features
Charlotte Moorman (the Topless Cellist) and the TV Bra | produced by Fred
Barzyk and Camera Three | distributed by Creative Arts Television | available
through Electronic
Arts Intermix
• Lecture on the weather | multi-media work
with a film by Luis Frangella
1973
• A Tribute to John Cage | re-edited
1976 | 29 min, videotape, color, sound | directed by Nam June Paik | Cage
performs 4'33" in Harvard Square and is seen composing using the
I Ching | also features Marianne Amacher, David Behrman, Alvin
Lucier, Charlotte Moorman, Pulsa, Richard Teitelbaum, and David Tudor
| hosted by Russell Connor | features excerpts from Paik's Zen for
TV as well as performances and appearances by Marianne Amacher, David
Behrman, Cathy Berberian, Jackie Cassen, Francis Lee, Alvin Lucier, David
Rosenboom, Alfons Schilling, Richard Teitelbaum, David Tudor, Stan Vanderbeek,
and Jud Yalkut | produced by the New Television Workshop and the TV Lab
at WNET/Thirteen for WGBH-TV | available through Electronic
Arts Intermix
• John Cage Mushroom Hunting in Stony Point
| 7 min, 16mm, color, silent | directed by Jud Yalkut | features John
Cage mushroom hunting, visiting his home and friends, and buying fruits
and vegetables at a farm market | also features Shari Dienes, Jeni Engel,
Shalom Gurewitz, Shigeko Kubota, and Nam June Paik
• 26'1.1499" For A String Player | 42
min, videotape, color, sound | directed by Jud Yalkut | a video realization
of Charlotte Moorman and Nam June Paik's concert performance of John Cage's
composition 26'1.1499" For String Player | available through Electronic
Arts Intermix
• Global Groove | 29 min, color, sound | directed
by Nam June Paik, John Godfrey, and Merrily Mossman | narrated by Russell
Connor | features excerpts of A Tribute to John Cage in which Cage
reads two stories from Indeterminacy: the one about the anechoic
chamber, and the one about when he doesn't take off his jacket at the
dentist's because has a hole in his shirt | also features Merce Cunningham,
Charlotte Moorman performing the TV Bra for Living Sculpture, and
footage directed by Robert Breer and Jud Yalkut | produced by the TV Lab
at WNET/Thirteen | available through the
DIA Center
1972
• Marcel Duchamp and John Cage | 28
min 30 sec, b&w, sound | directed by Shigeko Kubota | musical chessboard
designed by Lowell Cross | documentation of a chess match between Marcel
Duchamp and John Cage, played on March 5, 1968 in the Ryerson Theatre
in Toronto—also the premiere of Cage's composition Reunion
| with the assistance of Teeny Duchamp, David Tudor, Gordon Mumma and
David Behrman | available through Electronic
Arts Intermix
1971
• Catch 44 | 31 min, videotape, color, sound
| directed by David Atwood | produced by Henry Becton and Nam June Paik
with WGBH | Cage appears on the program "WGBX: A Telecast for Composers
and Technicians" | available through Electronic
Arts Intermix
1969
• Aspects of a New Consciousness, Dialogue III
| 30 min, color, sound | produced and directed by Merrill Brockway for
the CBS television program Camera Three | hosted by James Macandrew |
John Cage is interviewed by Jack Kroll | features the compositions Variations
II and Williams Mix | produced by Creative Arts Television
| available through Electronic
Arts Intermix
1968
• Poemfield No. 7 (Computer Art Series No.
7) | 4 min, 16mm, color, sound | directed by Stan Vanderbeek | a computer
generated, text-based film | music by John Cage | programmed by Ken Knowlton
| b&w computer graphics colorized by Brown and Olvey | distributed by
the New York Filmmakers Cooperative
• Silent Sonata | 10 min, 16 mm, 1.37:1, color,
sound | written, directed, and produced by Akira Arita and Marcus Reichert
(Arita Reichert Collaborative) | edited by Marcus Reichert | features
music composed by Cage | starring Sally MacLeod as The Subject | distributed
by Filmworks International Ltd. and the Rhode Island School of Design
1967
• Sound?? Rahsaan Roland Kirk and John Cage
| 27 min, b&w, sound | directed by Dick Fontaine | Cage
prepares a work for musical bicycle with David Tudor and Merce Cunningham
at the Seville Theatre in London | produced by Rhapsody Films
1966
• Variations V | 50 min, 16mm | directed
by Gordon Mumma and Stan Vanderbeek | a film with dance and electronic
imagery | music by John Cage | performed by Cage, Malcolm Goldstein, Gordon
Mumma, James Tenney, and David Tudor | choreographed by Merce Cunningham
| performed by the Merce Cunningham Dance Company | Robert Moog built
special antennas—actually modified theremins—that were positioned throughout
the stage to trigger musical events when dancers passed by | features
work by Nam June Paik | produced by NDR TV, Hamburg
• John Cage | 56 min, 16mm, 1.37:1, b&w
| German | directed by Klaus Wildenhahn | cinematography by Rudolf Körösi
| edited by Ria Uplegger | featuring Cage, Merce Cunningham, Joan Miró,
and the Cunningham dance troupe during a tour through southern France
| distributed by Norddeutscher Rundfunk (NDR)
1960
• I've Got a Secret | 30 min | Cage appeared
as a contestant on a January episode of the television program, which
also featured Zsa Zsa Gabor
1955
• In Between | 10 min, 16mm, 1.37:1, color,
sound | directed by Stan Brakhage | features excerpts from Sonatas
for Prepared Piano | starring Jess Collins and Robert Duncan | distributed
by Canyon Cinema
1950
• Works of Calder | 20 min, color | directed
by Herbert Matter | music by John Cage: "it includes sounds of mobiles
bumping into one another, recorded in Alexander Calder's studio" | narrated
by Burgess Meredith | features Alexander Calder | produced by Burgess
Meredith and Moma, New York
1948
• Horror Dream | features original music by
John Cage
1947
• Dreams That Money Can Buy | 99 min, color,
sound | directed and written by Hans Richter and Man Ray ("Ruth Roses
and Revolvers") | cinematography by Arnold Eagle | John Cage composed
the music for the "Discs" segment | other music by Louis Applebaum, Paul
Bowles, David Diamond, and Darius Milhaud | starring, among others, Max
Ernst | based in part on works by Alexander Calder, Marcel Duchamp, Max
Ernst, and Fernand Léger | produced by Kenneth MacPherson | distributed
by Films International of America | Hans Richter was nominated for a Golden
Lion at the 1947 Venice Film Festival
1944
• At Land | 15 min, 16mm, 1:37:1, b&w, silent
| directed by Maya Deren | cinematography by Hella Heyman and Alexander
Hammid | Cage appears briefly as an actor | also
features Maya Deren, Alexander Hammid, Leo Lerman, Richard Hunter,
Schuyler Watts, Paquita Anderson, Alvin Lustig, Philip Lamantia, Xenia
Cage, Dante, Pablo Mendez, Marie Menkin, and Parker Tyler
1937
• An Optical Poem | 6 min, 35mm, 1.37:1, color, sound |
directed by Oskar Fischinger
| Cage served as an assistant (uncredited)
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